A bunch voice four cardinal points, a piano, melodies of Mozart and music, and divine incantation, shines like a diamond in the grounds of the St. Louis Capuchin church.
Moment Thanksgiving with the Academy of the Paris Opera (presented at the opening of the season by the Antonine University, as part of its concert series dedicated to chamber music) under the vaults of a place of prayer become The time of a Mozart recital, rich lyrical temple of a myriad of celestial and terrestrial resonances at once.
Crees of passion, infidelity, sweet intermissions of the heart, games of chance and love the power of seduction, women’s fickleness, cunning men, as many facets as the voice of the composer’s character The Magic Flute bear to incandescence, the most emotion.
In front of a large audience, an illuminated altar and decorated with large bouquets of white roses, without decoration or costumes, but in simple modern clothes, successive Ruzan Mantashyan and Adriana Gonzalez (sopranos), Gemma Ni Bhriain (mezzo – soprano with Measured appearances since his throat was taken by a wicked laryngitis), Yu Shao (tenor), Tomasz Kumiega (baritone) and Mikhail Timoshenko (bass-baritone). The piano with the lid open, enthroned between the two side aisles, Thibaud Epp.
Four extracts (duo, trio, solo) of the Salzburg genius of lyrical opus (The Magic Flute, The Marriage of Figaro, Don Giovanni. Cosi fan tutte) to translate all the phosphorescence of a music sound reflection of the beauty and world contradictions.
opening, air, bright, lively, cheerful, the air and Pamina and Papageno arias have solitudes enchanted matches. They open the show notes in any sparkling freshness and fluidity.
On an opera bouffe canvas, commotion under a roof where cohabit lack of virtue and frolicking, but also barbed duel between master and servant. Suzannah, spicy maid, made of trills and rossignolades … The wedding concocted a crazy day that will end anyway with a happy ending. In the sense that the truth will bare their hearts …
Leporello, Don Giovanni (admirable Mikhael Timoshenko who has the gift of ubiquity to move from one to the other) and Zerlina to ‘sing’ seduction and entourloupes. First this formidable nomenclature as a catalog sales, countless victims and prey of incurable Casanova. Hesitation between fidelity and fling: Zerlina at bay with music that deftly mixes baritone and soprano undecided for a ballet between lightness and gravity, pleasure and sin fry
… And with the fireworks The joyful drama, masks fell Cosi fan Tutte (extensively from two acts and many scenes) which closed the concert. As a bonus, of course, music finer. Music that combines subtlety in to the desires of the body and the fantasies of the mind and erotic imagery, sound resources of rivers and streams. Inexhaustible in their palette of vocal colors to identify, in full humor, stealth gravity, without a pompous or stilted rating, while the unfathomable human nature. And the incredible power of seduction of these artists, young, fair and stage presence mastered singing. With, in the final apotheosis, the explosive sextet Cosi for glowing cavalcade polyphonic.
With six votes (multinationals, but that is an effect of chance …) and a keyboard, a flawless evening . Literally and figuratively.
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